What's good, what's evil?
by Karin Sawetz, publisher Fashionoffice Nowadays, it's better to use negative definitions to elaborate what's 'good'. Defining the 'evil' is much easier than finding signs of the good as its counterpart delivers in our days the best performance in the meaning of the biggest impact on society. So I try to work out one of the best and most perfidious signs of what makes evil so well performing: it's the strategy of letting others run through a maze as long as possible and change the design of the labyrinth in the moment the first have unveiled its structure. The best of the best directors of a good vs. evil dramaturgy involve the victim of the 1st chapter as offender in the second chapter which runs like a synchronized layer over the rabbit-warren-like knitted thread. When the first victim is branded as the origin of all evil - yes, then the master work is done perfectly and everybody is confused. The Austrians are witnessing currently this strategy ...