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What's good, what's evil?

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by Karin Sawetz, publisher Fashionoffice Nowadays, it's better to use negative definitions to elaborate what's 'good'. Defining the 'evil' is much easier than finding signs of the good as its counterpart delivers in our days the best performance in the meaning of the biggest impact on society. So I try to work out one of the best and most perfidious signs of what makes evil so well performing: it's the strategy of letting others run through a maze as long as possible and change the design of the labyrinth in the moment the first have unveiled its structure. The best of the best directors of a good vs. evil dramaturgy involve the victim of the 1st chapter as offender in the second chapter which runs like a synchronized layer over the rabbit-warren-like knitted thread. When the first victim is branded as the origin of all evil - yes, then the master work is done perfectly and everybody is confused. The Austrians are witnessing currently this strategy

The Fight for the Castle

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fig.:  The image shows me sitting at the tower of  Habsburgwarte at the Hermannskogel with view  over Vienna.  by Karin Sawetz, publisher Fashionoffice Currently, the rally for getting the people's votes at the legislative election on 15 October is in full speed. The political parties cook their own soups in different styles; the ones more stylish, the others more foul-mouthed. There is no difference between right or left when it comes to strong words and messages in the tradition of aggressive 'battle-cries' just as if the mission is to take the castle. And truly, it's literally  the mission of the political parties to get the most votes at the legislative election to occupy the Hofburg, the former seat of the Habsburg monarchy where today Austria's chancellor resides. The chancellor is the country's most important political position. In Austria, the president has in contrary to the US - only for example, less political influence. Perhaps some are now

The sheep's illumination is a fake!

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by Karin Sawetz, publisher Fashionoffice fig.:  The picture shows me standing in front of an island with grazing sheep. The purple rays appear as if the sheep get illuminated.  A friend shot the photo with my smartphone. The sheep's illumination is actually fake, as the purple unearthly rays at the image on this page were produced by dirt  - such as fake in general is often produced by dirt. No question, fake can have a seductively nice appeal what makes it more difficult to resist.  I can imagine the consistency of the purple rays producing camera lens' dirt; it's probably a texture mixed from my lip gloss and hand cream. The beauty products are everything else than dirty but on the place where they had landed they were changing reality into an unreal, dream-like picture.  The same happens at 'dirty campaigning' with reality. The ingredients aren't dirty but through the way they are communicated, a greasy information soup is cooked to manipulate peo

Austria Insight: Double Meaning, Legal Rights and the upcoming Austrian Legislative Election

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by Karin Sawetz, publisher Fashionoffice The appearance of double meaning in context with legal rights is normally not healthy for a society but in the following case, it opens the view on the legal system from two perspectives with the almost pedagogical intention to make aware that the people are responsible for the system - and that nobody can wash his or her hands completely in innocence when an inhuman or unfair law is executed. Where I made this experience? It was last Saturday in Lower Austria at the exhibition ‘Alles was Recht ist’ at Schloss Pöggstall ( alleswasrechtist.at ). The title ‘Alles was Recht ist’ can be read from two angles: the one is in the meaning of ‘Everything about justice’ concerning court, law, punishment, imprisonment,... ; the other reading references a typical Austrian saying which expresses embarrassment about morally unfair incidents backed by law.  The exhibition is divided into 5 chapters. It begins with the law book ‘Schwabenspiegel’ from th

A golem can consist of fruity earth or toxic shit

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'Dog Tales' series, 4th episode  ( 1st episode  -  2nd episode  - 3rd episode ) By  Fashionoffice 's publisher Karin Sawetz Marc Cabana appears in my dream like this strange creature once born nearby Vienna, in Prague. 'Golem' is the name of this creature and entered the colloquial language as expression for a dumb person.  fig.:  The image shows me at the orangery at Schloss Hof in Austria nearby the border to Slovakia. I ask him: "Are you a golem?" Marc Cabana: "I don't know the word 'golem'."  "Aren't you Viennese?" Marc Cabana: "I'm Viennese, but I've rarely contact with people whose families have Viennese or Austrian roots." "A golem is a creature by a magician (in the original story by a religious man) and acts as an extension of the creator; a sort of double or willingness servant. Expressed with IT-language: it can be a positively acting bot or it can be a sort of malwa

"The dog only wants to play!"

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'Dog Tales' series, 3rd episode  ( 1st episode  -  2nd episode ) By  Fashionoffice 's publisher Karin Sawetz "The dog only wants to play!" I said laughing to Marc Cabana* in my dream.  The scenery was very realistic and was in difference to my common dream experiences of long duration without sudden breaks or changes to other locations. Everything happened in this realistic dream at the Giardini in Venice.  *The figure Marc Cabana appeared already in the first 'Dog Tales'-episode. "But I don't want," says Marc Cabana standing at the dog cages of the German pavilion during Biennale Arte Venezia. He feels provoked by the critical fixing stare of the black watch dog. Who is the one who causes a security problem? Just as the dog would ask "Who has to be caged?" We are standing just at the entry to the pavilion and the installation by Anne Imhof has already hit the target! The dogs in the cages let Marc Cabana feel insecure and

Decoding art from 18th and 21st century: examples 'Apotheosis' and 'Faust'

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'Dog Tales' series, 2nd episode ( 1st episode ) By  Fashionoffice 's publisher Karin Sawetz At 'Faust', dogs in cages are the first impressions visitors get of the performance-installation by Anne Imhof at Biennale Arte Venezia 2017. At the 'Apotheosis' by Balthasar Permoser,  a figure with wings sits in front of Prince Eugene; seen at the palace Schloss Hof in Austria nearby the border of Slovakia.       fig.: The image shows me at the 'Apotheosis of Prince Eugene' at the former hunting  palace Schloss Hof, one of the properties of Prince Eugene in Austria.   I wear the skirt with print of a painting  by 'Hondecoeter' which gave this series  its title 'Dog Tales'. (At the first episode, I've introduced with a partly surrealistic text into the  new art review series).  The two examples are significant for how society changed during the last 300 years as the content of the two artworks is the same: it's about th

New series 'Dog Tales' inspired by Biennale Arte Venezia

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By  Fashionoffice 's publisher Karin Sawetz During the last two decades, Fashionoffice has reported from time to time from the Biennale Arte Venezia. This year, the theme is 'Viva Arte Viva' and I try out another approach to the art experience. I pack it into a short series with the title 'Dog Tales'. Many of the associations are collected in the tradition of automatic writing where the subconsciousness, memories of dreams where situations that really happened are reworked - from solving to new-interpreting -  in a surrealistic way and hard facts of the currently running Biennale Venezia are mixed. 'Viva Arte Viva' is the motto of Biennale Arte Venezia 2017 and the supporting idea behind the new series 'Dog Tales'. fig.: Why is it entitled 'Dog Tales'? Because my currently most favorite skirt is made of a fabric with the print of a prominent painting by Hondecoeter . The name sounds in German like 'dog cur'. The decision to c

Building Bridges!

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By  Fashionoffice 's publisher Karin Sawetz Building bridges, celebrating humanity are the central messages of Easter. But who needs a weekend like the last except the contemplation and celebrations on Holy Saturday (Karsamstag) and Easter Sunday? I can't remember an Easter weekend with such an accumulation of crucial political events like in 2017. On Saturday, the whole world looked anxiously at the parade in Pyongyang, North Korea and listened bewildered the discussions about nuclear weapons in context with inter-state provocations and revenge. And then on Sunday, people who consumed global news about the election results concerning the referendum in Turkey became aware that an ambitious partner of Europe is building new bridges; bridges that lead into another direction. And in between the events in North Korea and Turkey, a bus convoy was hit by a bomb attack nearby Aleppo in Syria and killed more than 60 children - in sum more than 120 people. Horror news from Syria